Dirty Water Records

Taking Music Backwards Into Tomorrow

No Pictures Reviews: The Dustaphonics "Burlesque Queen"

Perhaps not with the smartest of reasoning I am finding myself these days purchasing a lot of seven inch singles just based on their artwork. As the format becomes sadly rarer by the week, this growing personal throwback for me presents itself more as a piece of art rather than a salient music format. This single is a very good example of this. I really hate the way the world of the single has gone now, the Sunday charts are so pathetic it is unreal and there is no way in hell that a band selling an MP3 or two on a given date will or should constitute a single release. The idea of doing an “MP3 single” is one so redundant to me. The other day I heard a pretty decent song by a band from Liverpool and I decided to check out the release date of the song I found myself faced with a two week wait to buy it from iTunes etc. I promptly laughed my fucking arse off as I found the song on seconds via Hype MP3. It is what they deserve.

This release however is the polar opposite of such backwards management. For me passion oozes from the tangibility of the release. So who the hell are The Dustaphonics? I have no idea what their music sounds like but what I do know is that they come with amazing artwork.

Looking at the sleeve alone you get the impression it is going to be dirty, like something you might find in a John Waters or Russ Meyer movie. Yes, music from a better time. The cover features a golden age comic beauty, shameless and suggestive.

Having already reviewed the record before even playing the record finally upon hearing it I find myself introduced to something that sounds akin to The Cramps fronted by Lisa from the BellRays. It is slow paced and dripping in swagger with dirty sax spewed sporadically over proceedings. This is very fun stuff.

The writing credit includes the name “T.L. Satana” which indeed does turn out to be Tura Satana, most famously the star of Faster, Pussycat! Kill! Kill! which lends another exciting aspect to the record as it transpires that she is indeed responsible for some of the lyrics/words in some capacity (although perhaps she didn’t realise it).

Perhaps the less said about the b-side (a cover of The Jiants “Tornado”) the better.

Dirty Water Records London